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Cantus coronatus
In the late Middle Ages, a ''cantus coronatus'' (Latin for "crowned song") was a composition that had won a competition, and it or its composer been awarded a prize, often a crown. The corresponding Old French term was ''chanson couronnée'' or ''couronnez'', which occurs is some extant chansonniers.
There are twelve trouvère ''chansons'' in the manuscripts with rubrics indicating they were awarded a crown.〔The manuscripts are F-Pn fr.845, 12615 and 24432; n.a.fr.1050; CH-BEsu 389; and I-Rvat Reg.1522.〕 There are no discernible differences between such pieces and other trouvère works save that they were probably the recipients of prizes. The Occitan troubadour chansonnier called the Cançoner Gil contains eight songs which it says were ''coronada'' (crowned).〔(Cançoner Gil ) at Cervantes Virtual.〕 Other songs that won prizes at various floral competitions are also indicated: one ''gazaynet la joia a Tholoza'' ("won the jewel at Toulouse"), another ''gazaynet la flor d'aglentina ... a Toloza'' ("won the eglantine rose at Toulouse"), and still another ''gazaynet la violeta'' ("won the violet").
In the musical theory of Johannes de Grocheio the ''cantus coronatus'' is class of popular music (''musica vulgaris''). After dividing the latter into the ''cantus'' and the ''cantilena'', he subdivides each new category into three. The three forms of the ''cantus'' are the ''cantus gestualis'' (the ''chanson de geste''), the ''cantus coronatus'', and the ''cantus versiculatus'' (also called ''versicularis'' or ''versualis''). The distinction between the latter two classes is not clear from the work, both being illustrated by examples from the ''trouvères''. The distinguishing features of each class are described vaguely and Grocheio's subsequent comparison of popular music with ecclesiastical vitiates many of the distinctions (''Ars musicae'', 130:112):
Cantus coronati are normally composed by kings and nobles and they are frequently sung in the presence of kings and princes of the earth, in order that their souls may be moved to be daring and resolute, magnanimous and liberal, cahracteristics that all make for good rule. This kind of song is made from delightful and lofty material, as, for instance, when it is about friendship and charity, and is made entirely of perfect longas.〔Translated by Randall A. Rosenfeld in Timothy J. McGee (1998), ''The Sound of Medieval Song: Ornamentation and Vocal Style according to the Treatises'' (Oxford: Clarendon Press), 35.〕
==References==
*Hendrik van der Werf. ("Cantus coronatus." ) ''Grove Music Online. Oxford Music Online''. Accessed 3 March 2009.
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